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5. Comment on the Whitman’s mysticism/ transcendentalism aspects of Whitman’s “Song of Myself”



Ans:  Mysticism is not really a coherent philosophy of life, but more a temper of mind. A mystic vision is intuitive; he feels the presence of divine reality behind and within the ordinary world of sense of perception. He feels that God and the supreme soul animating all things are identical. He believes that all things in the visible world are but forms and manifestations of the one Divine life, and that these phenomena are changing and temporary, while the soul that informs them is eternal.” The human soul too is eternal. Transcendentalism is closely connected to mysticism, for it emphasizes the intuitive and spiritual above the practical.
Walt Whitman is basically a transcendentalist; young of myself has been regarded as a prolonged expression of an experience that is essentially mystical. It is believed that Whitman is greatly influenced not only by Emerson but by oriental mysticism. But there is a big difference between Whitman’s mysticism and the mysticism of Orient. Oriental mystic believes that communication between soul and god is possible only through the mortification or conquest of the senses and the physical appetites. On the other hand Whitman believes that spiritual experiences are possible without sacrificing the physical appetites. There is a great deal of sexual elements in Whitman’s poetry, especially in the early poetry- section-5 of “Song of Myself” is a case in the point where the sexual connotations are inseparable from the mystical experience. Here Whitman’s overjoyed revelation of union of his body with his soul has been depicted mystic expression. The poet has a feeling of fraternity and oneness with God and his fellowmen. He says:
“And I know the hand of God is the promise of my own
 And I know that the spirit of God is the brother of my own
And that all ----- of the creation of love.”
As a mystic Whitman believed that there is no deference between creator and the creation. His “self” is a universal self. He sees people of both sexes, all ages, many different walks of life; even animals are included. The poet along with the divine spirit not only loves them all; he is also a part of them.
In section 11 of Song of Myself, once again a mystical experience is symbolically conveyed through a piece of sensuous experience. In section 24, the poet becomes the spokesman of the “forbidden voices” of ‘sexes and lusts voices indecent.’ He loves his body and is sensitive to another’s touch. Both the lady and the prostitute enjoy equal position in his poetry, for the inner reality, the soul has been created by the same God. “If anything is scared, the human is scared,” he says in “I Sing the Body Electric.” He celebrates all the organs of the body- male and female.
Whitman does not reject the material world. He seeks the spiritual through the material. He does not subscribe to the belief that objects illusive. There is no tendency on the part of the soul to leave this world for God. Whitman does not belittle the achievements of science and materialism. In section 23 of Song of Myself, he accepts the reality of materialism and says-
“Hurrah for positive science!
Long live exact demonstration.”

Whitman praises not merely life, but absolute worth of every particular and individual person. Thus, his comic consciousness in the result of the expansion of the ego. The “I” assumes an enlarged universal connotation embracing the smallest and the greatest things in the universe as a perfect and of great value.
Song of Myself bears an inverted mystical experience. While the traditional mystic attempts to annihilate himself and mortify his senses in preparation for his union with the divine; Whitman magnifies the self and glorifies the senses in his progress towards the union with the absolute. In this poem, the poet enters a mystical trance by observing a spear of summer grass.
Whitman seldom lost touch with the physical reality even in the mist of his mystical experience. Physical phenomena for him were symbols of spiritual reality. He believed that “the unseen is proved by seen”; thus he makes use of highly sensuous and concrete imagery to convey his perception of divine reality. He finds a purpose behind any natural objects- grass, sea, birds, flowers animals etc.
Whitman is a mystic as much as he is a poet of democracy and science, but a “mystic without a creed.” Whitman’s mystical experience of his self comes through various stages. The first stage may be termed “Awakening of self”, the second “the purification of self. “Purification involves an acceptance of the body and all its functions. This acceptance reflects the poet’s goal to achieve mystical experience through physical reality. True, Whitman’s brand of mysticism is not identifiable with the selflessness of the Christian variety or the passivity of the Oriental. What we may call Whitman’s mysticism is “democratic” mysticism- available to every man on equal terms and embracing contradictory elements. Thus Song of Myself is perhaps the best illustration of Whitman’s mysticism.